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Some pretty incredible imagery and language unfortunately mired by misogyny in what is essentially a young man's coming of age story established around an enumeration of his sexual conquests. Aug 21, Melissa D'andrea rated it it was ok. I respect Leonard Cohen but I was so bored with this book and felt it lacked a plot. Didn't help that the protagonist was extremely unlikable. Jun 07, Kelly rated it liked it Shelves: summer-reading , by-canadians.

It's the crapshoot of prose written by a poet: parts break your heart, other parts fail to keep your attention. Credo che la definizione "assolutamente unici" sia la perfetta sintesi del romanzo di Leonard Cohen. E' stata una lettura strana, altalenante, che all'inizio non era riuscita a coinvolgermi e a prendermi, ma che non ha mai smesso di incuriosirmi, nella particolare impaginazione, nei pensieri del protagonista che venivano citati come fossero poesie, negli estratti di canzoni.

Non credo di essere riuscita a comprendere pienamente Lawrence Breavman, il protagonista, come pure ho come il timore che lo stesso romanzo mi sfugga nella sua essenza. Senza parole, alla fine della lettura, con la sensazione che ne sia valsa la pena di scoprire qualcosa di nuovo sul cantautore. E' un romanzo che non si riesce a raccontare, ma che va vissuto, pagina dopo pagina, scena dopo scena. Me quedo con la parte de la historia de Shell, y de lo que sucede en el campamento. Finished reading this book last week and I absolutely loved it. Leonard Cohen's prose is beautifully intricate and witty.

I noticed a lot of readers found some of the chapters to be slow, but I did not, and in fact, felt as though I couldn't put down the book. As a female, however, I find enjoying his writing a bit of a moral conflict. His depiction of women in the novel reminds me somewhat of how Charles Bukowski depicts women: as accessories, burdens, or entertainment.

I think a lot of people Finished reading this book last week and I absolutely loved it. I think a lot of people feel turned off by this book because of this. However I think that we shouldn't let this alter our opinions of the book. This quality of the protagonist-- to use and leave women selfishly-- is an important aspect of the book.

"Try having season 5 ruined when your trousers are down by your ankles"

It's pretty obvious when reading it, the Cohen is aware that this part of his main character is not a desirable trait in anyone, and the ending of the book finds the protagonist losing because of it. The ending is satisfactory enough for me to no longer mind the depiction of women in it. Breavman gets what he deserves with the loss of Shell, and the ending can serve as a warning, that if you do not treat your women right, they will leave you.

All in all, I thought that this book was amazing. He writes Montreal and the surrounding area brilliantly, and as a Canadian I know how rare that is to find in a work of literature. I would recommend this to anyone who appreciates fine writing. I've read this book a few years after it first came out, i was most likely too young to really appreciate the incredible talent it sprang from. At the time Leonard was a permanent fixture in Montreal and could be seen regularly in certain restaurants and bookstores. I suppose we took him for granted but how sorely we miss him now.

The book lays out the foundation of his career as a poet and a ladies' man, he pulled off both with humour and self-deprecation. Thank you, Leonard. Jan 15, Kathy rated it really liked it. Quotable: A scar is what happens when the word is made flesh.


It was not too many years before her mother began to exercise the inalienable rights of menopause. She took to wearing a fur coat and sun-glasses in the house at all times.

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She hinted, then claimed that she had sacrificed a career as a concert pianist. When asked on whose behalf, she refused to reply and turned the thermostat lower. This is the coming of age story of Lawrence Breavman, the son of bourgeois parents from Westmount. Lawrence struggles to find his way between the women in his life and his poetry. As I read the book, I could see from the lyrical descriptions of the city of Montreal the deep love he felt for the place he called home.

May 23, Greta rated it really liked it. He listened to her breathing. It was like the delicate engine of some cruel machine spreading distance after distance between them. Her sleep was the final withdrawal, more perfect than anything she could say or do.

She slept with a deeper grace than that with which she moved. Can't wait to get my hands on Beautiful Losers. Jun 25, Patrick rated it really liked it. Disclaimer: I'm a huge Leonard Cohen fan. He's my favorite musician, by far. Just letting the bias be known. Hence my praise, despite some of my qualms with this book. Because his words break me with their beauty.

Here, Cohen is the ultimate poetic voyeur. He commits the common iniquity of regarding women as Mystery, simply because they are women, rather than individual, complicated people whose perspectives and inner lives are as real and valid as his own. It's a sin most Surrealists fall into also: Woman as Object of Worship, as if the worship factor excuses the object factor.

It doesn't. How Cohen saves himself is that in this work, his main character is not only voyeur, he's also the ultimate solipsist- regarding only himself as having any real agency. And here's where I forgive him this sin, for he does it with all persons , not just women. And in doing so, it's the characters surrounding Lawrence Breavman yes, Cohen that end up feeling like real people. Breavman's dialogue is so abstracted that it doesn't feel like he could be a real person.

Real people don't talk this way. But wait. Then you listen to a Leonard Cohen interview. Cohen does talk this way. He speaks almost in poetry, not prose.

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It's very peculiar, but consistent. So, of course his novels come out like this. Cohen acknowledges that this solipsism affects those around Breavman, but the character keeps falling back into it, unable to break the cycle of thinking he's had since he was a child. This is culminated in a moment where he lists his lovers, and his defining characteristics of them. Besides the introduction of a character rather late in the book, who I can't really discuss without spoilers, one of the few times Breavman seems to break out of his solipsist cycle is when he is, in fact, being a voyeur: She changed her position, drawing the white sheet tight along the side of her body, so that her waist and thigh seemed to emerge out of rough marble.

He had no comparisons. It wasn't just that the forms were perfect, or that he knew them so well. It was not a sleeping beauty, everybody's princess. It was Shell. It was a certain particular woman who had an address and the features of her family. She was not a kaleidoscope to be adjusted for different visions. All her expressions represented feelings. When she laughed it was because. When she took his hand in the middle of the night it was because.

She was the reason. Shell, the Shell he knew, was the owner of the body. It answered her, was her. It didn't serve him from a pedestal. He had collided with a particular person. Beautiful or not, or ruined with vitriol tomorrow, it didn't matter. Shell was the one he loved. In his song and verse, Cohen's words often read like Jewish scripture, particularly like the Psalms.

I think this is intentional. I think much of his work could stand alongside, or even conquer, the beauty and sadness of the Psalms; or the eroticism of the Song of Solomon. No doubt he and Solomon must've had a similar amount of lovers to write about. View 2 comments. A novel of dialogue and memory in which a young man tells his lover about his experiences growing up in Montreal.

Some of those experiences seem embarrassingly intimate, and even if the young man does not tell his lover about them, the third person narrator describes them for us, the readers. Oct 10, Dane Cobain rated it it was amazing. Not to be confused with the quite frankly awesome song of the same name by The Cardigans, The Favourite Game is singer-songwriter Leonard Cohen's first novel, and boy, does it set a high standard. In fact, I'm inclined to think of it as Cohen's best, and it's certainly my personal favourite. It's also a difficult book to classify - Cohen's fluid prose often resembles poetry in its style and form, and there are elements of the manuscript that are autobiographical.

It has a story behind it, too - Not to be confused with the quite frankly awesome song of the same name by The Cardigans, The Favourite Game is singer-songwriter Leonard Cohen's first novel, and boy, does it set a high standard. Just think - if it wasn't for that grant and for Cohen's innovative writing, we'd be living in a world without Hallelujah, Tower of Song and a whole host of other Cohen classics. For me, The Favourite Game stands out from Cohen's other works because of the strong characterisation and the way in which Lawrence Breavman so accurately reflects the young author's own struggle for love, success and excitement.

Una persona, insomma, che non mi sarebbe affatto piaciuto conoscere. Che dire? Avevo ragione. Il romanzo vorrebbe raccontare parte della crescita del protagonista, evidente alter ego dell'autore, tramite capitoli molti brevi scritti a mo' di flusso di coscienza: non si sa mai quando si svolgono le cose, non si sa cosa succede di preciso, non si sa quanto hanno i protagonisti mentre succede, non si sa cosa accade prima e cosa accade dopo.

Lei, che ormai lo conosce, gli risponde "sei sicuro di venire? Lui la riassicura. Un istante dopo lui decide che nella telefonata "aveva esaurito le emozioni che lo avevano spinto a chiamarla. Non aveva bisogno di andare a New York". Un attimo prima le chiede di sposarla, un attimo dopo ha esaurito le emozioni. Tutti, tranne me, che, ripeto, l'avrei preso a badilate. Lascio a voi la scelta. Jul 06, Hamish rated it liked it Shelves: lit , re-read-lit.

Really liked it the first time I read it, but I have more mixed feelings now. There are some really beautiful passages, and others that scream 'this is my first novel'. Most of the really good ones are at the beginning, when Our Protagonist is a kid, and then to a lesser extent again at the end. Cohen links some images and rapidly jumps chronologically in a way that creates this really effective choppiness. But as it progresses he gets more showy in a way that isn't as effective, and so much of Really liked it the first time I read it, but I have more mixed feelings now.

But as it progresses he gets more showy in a way that isn't as effective, and so much of it feels like pretention and showing off. If an author tries something showy and succeeds, then you just think of it as a good passage, not as something ostentatious. But if they fail, then not only is it an awkward passage, but it also calls attention to the author's showiness, which is an additional strike against them.

But if individual passages don't succeed, there's still the narration style, which is clever and smart and admirable though it also creates a distance between the reader and the characters and I think Cohen intended to do the opposite. There are a lot of shortcomings, but they don't completely mar the beauty of a lot of the writing. It's frustrating, but it has its rewards. I think that if this book wasn't by the Leonard Cohen who we all love for his work in a different art form and god knows I love him.

Certainly I love him enough to pony up way too much money to watch him hide behind a way too professional band for three hours. Not because it's not good, but because there are a lot of novels like this and few enter any kind of canon even one as desperate to bestow canonization as the Canadian canon. But thanks to his musical success, there will always be lots of hungry fans like me picking this one up. But that was not today. It was a story of hurt and carelessness.

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Breavman stomped from Montreal to New York to the Laurentians with no considerations for the women he was using and with a determination to sever all of his ties with the things he loved, desperate to disconn "One day what he did to her would enter his understanding with such a smash of guilt that he would sit motionless for days, until others carried him and medical machines brought him back to speech. Breavman stomped from Montreal to New York to the Laurentians with no considerations for the women he was using and with a determination to sever all of his ties with the things he loved, desperate to disconnect.

This might not be the best read if you are attached the character of Leonard Cohen. There is a an horrible chapter in which the alter-ego protagonist hypnotizes a woman and takes advantages of her sexually and it really put me off. View 1 comment. May 25, Jodi Lu rated it liked it. I love Leonard Cohen so much, but not so much that he can do no wrong, and he does some wrong here.

There is stunning poetry in this prose, as you'd expect or maybe you'd expect nothing of a short paperback it took me over two YEARS to finish , but it's VERY heavy-handed as one might also expect. When you are enjoying the sting of being artfully hit, he hits you again too soon, too much, too deliberately, and then you get calloused, and dizzy, and disinterested ultimately.

It is very good, bu I love Leonard Cohen so much, but not so much that he can do no wrong, and he does some wrong here. It is very good, but only in verses. En bog jeg er lidt i tvivl om. Man kunne citere flere steder. Jeg tror det er ham der engang har sagt, at en sang skal have plads mellem linierne. Begyndelse og slutningen er bedst. I picked up this novel when Leonard Cohen died. Finally read it. An interesting read. Written when Cohen was in his later 20s and of course following his death the temptation is to read it as early autobiography. According to the Afterword in the paperback edition I read by Paul Quarrington, there is some autobiography, but also lots of fiction.

I like the fact that the novel is about a search on the part of Lawrence Breavman as a young man for his own truth and his place in the world. His relati I picked up this novel when Leonard Cohen died. His relationships with his parents, his Jewish heritage, his poetic calling, his best friend Krantz, many girls and women in his life, his relationship with Martin Stark, a youth at summer camp, and his relationship with Montreal, offer insight into the vehicles through which his search take place.

I like the honesty of the conclusion that he must continue the search alone. I love the poetry in the novel. I love the insight into the mind of a poet this novel provides - how environments in time are viewed, the recurring descriptions of mist throughout. I love the summer camp part - having been to summer camp often it evokes memories.

Glad I read this first novel of Leonard Cohen.


Jan 15, Michael rated it really liked it. Lawrence Breavman is a child, then a youth, then something a little older. Lawrence Breavman is a student, a lover, a seeker. But mostly Lawrence Breavman is just really fucking intense. The novel unfolds in discrete imagistic scenes. The writing's very, forlackofabetterword, poetic: it reaches constantly and often ostentatiously toward beauty, transcendence, etc. There's a bit of a tendency to aphorism, with results that are pretty if not always earned. Beauty, achieving beauty, holding on to be Lawrence Breavman is a child, then a youth, then something a little older.

Beauty, achieving beauty, holding on to beauty: these are the preoccupations of the novel, in which 'beauty' is a term used with the utmost sincerity and importance. Women exist throughout primarily as receptacles, sometimes unwitting sometimes complicit, of beauty. I often felt myself hoping that it wasn't as autobiographical as it seemed, since Breavman is -- like most intense, brooding lovers -- a bit of an asshole. The vividness by which Breavman justifies his periodic dickishness was, for me, both the best feature of the novel some gorgeous images, a sense of beauty as a real thing, apt to leap out of the quotidian and ravish us and its worst the goyishe fantasia of Shell, unwarranted leaps into impassioned abstraction.

Ramble and Review Leonard Cohen is deep, lyrical, and a hit with the ladies. He knows what you know about what others know about women. He is a master. The Favorite Game is a novel which at times seems more like a collection of poems and philosophy.

THE FAVORITE GAME by Leonard Cohen | Kirkus Reviews

The novel ends up coming off like those of other geniuses, as a bit abstract at times, difficult to decipher at times, and a bit disconnected from an overall rhythm and logical linkage. Sometimes I don't know if I'm not smart enough, or not patient en Ramble and Review Leonard Cohen is deep, lyrical, and a hit with the ladies.

Sometimes I don't know if I'm not smart enough, or not patient enough, but I just don't understand what you mean, Mr. Much of this, however, is in fact the result of the fact that Cohen was forced by his publisher to cut his original novel more or less in half, which led to the series of four 'books' with large leaps in time and topic, of which the fourth book - on summer camp - is the clearest example. The edition I read, the Bantam edition, contains dozens of typos; again, not Cohen's fault.

His publisher sucked. It depicts a privileged Jewish youth who deals with the traumatic death of a father and progressive insanity of a mother by, or while, courting various women, celebrating beauty, and maintaining a detached observer's stance -- held up by various 'deputies' roles he plays with others -- which, finally, enables him to express himself through creative writing. Breavman is a genuine soul who really wishes to experience love and life, who worships women and beauty and who has his heart and soul crushed like everyone else.

At the same time, he's a heart-breaking wealthy person from Westmount who cannot come to terms with his fears of loneliness or commitment, and he's a bit of a spoiled brat. Most importantly, his life, loss and love shapes him into a fantastic writer of poetry and prose -- reading this book will teach you how Leonard Cohen was able to write a book this good. Living in Montreal and having recently seen Leonard in concert make this book even more interesting to me.

Real Rating: 4. They drive it hard to every appointment and grant interviews from the saddle. The lucky ones have small accidents and learn to walk in the street, because nobody wants to listen to an arrogant old lady. Some women wear moss over their beauty and occasionally something rips it away — a lover, a pregnancy, maybe a death — and an incredible smile shows through, deep happy eyes, perfect skin, but this is temporary and soon the moss re-forms. Some women study and counterfeit beauty. Industries have been established to serve these women, and men are conditioned to favor them.

Some women inherit beauty as a family feature, and learn to value it slowly, as the scion of a great family becomes proud of an unusual chin because so many distinguished men bore it. And some women, Breavman thought, women like Shell, create it as they go along, changing not so much their faces as the air around them.

They break down old rules of light and cannot be interpreted or compared. They make every room original. This could get a little gushy Being a huge fan of Leonard Cohen, imagine my joy when Jade found this book at the library. Imagine also my nervousness at starting it - would it meet my very high expectations or would I struggle to find something to admire? It felt a little like a first date. It seems fitting then that, once embarked upon, the experience of reading this felt like a wonderful seduction, each word chosen with such care, that had me falling in love with Leonard all over again.

A c This could get a little gushy A coming of age tale that feels very autiobiographical, each glimpse at a fragment of Lawrence Breavman's life feels like an intimate secret. Like his songs, this is full of many wonderful lines that reach out and grab you with a power that, for me, few others can match "Seven to eleven is a huge chunk of life, full of dulling and forgetting [ There are no discussion topics on this book yet. Readers also enjoyed. About Leonard Cohen.

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Leonard Cohen. Leonard Norman Cohen was a Canadian singer-songwriter, poet and novelist. Cohen published his first book of poetry in Montreal in and his first novel in Cohen's earliest songs many of which appeared on the album Songs of Leonard Cohen were rooted in European folk music melodies and instrumentation, sung in a high baritone.

The s were a musically restless period in which his in Leonard Norman Cohen was a Canadian singer-songwriter, poet and novelist. The s were a musically restless period in which his influences broadened to encompass pop, cabaret, and world music. By clicking on "Submit" you agree that you have read and agree to the Privacy Policy and Terms of Service. Email Newsletter. Log In. Toggle navigation MENU. Email Address. Email address:. Please provide an email address. Categories of Interest: Select All. Current Affairs. Historical Fiction.

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