Manual Functional Aesthetics: Visions in Fashionable Technology

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She is described as being an innovator, visionary, and trend spotter. Sabine is the Chief Creative Officer of her company Moondial, which develops fashionable wearables and consults on fashionable technology to companies worldwide. Sabine serves as a jury member for many internationally renowned institutions and conferences. Sabine is widely published. She has received numerous grants and awards. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support?

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The book presents inspiring projects between the poles of fashion, design, technology, and sciences. It includes a list of relevant information on DIY resources, publications, inspirations, etc. Read more Read less. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Fashionable Technology. Sabine Seymour. Patternmaking for Fashion Design. Helen Joseph Armstrong.

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Format: Hardcover Verified Purchase. Sabine Seymour published her second book entitled Functional Aesthetics - Visions on Fashionable Technology few months ago, following her successful title Fashionable Technology from Seymour takes everything into perspective. Firstly, the design of the book - binding and the concept is rather unique. The surface of the hardbook is covered with beige rip fabric showing softness and roughness of the used material at the same time. The covering, of course, associate with the sustainability, textile arts, the sense and tangibility of the textures, vivid glimpses to manufacture productions from the time of our ancestors as a sort of a homage to numerous anonymous tailors from the era when sewing machines were a necessity of every household.

The school is also renowned for its extraordinary faculty, who subsequently led the development of modern art - and modern thought - throughout Europe and the United States. In his early career Walter Gropius worked for an international conglomerate designing everything from architectural and industrial projects to office lighting and stationery - this led him to envision a total design ethos, employing "a new guild of craftsmen," that he later embodied in founding the Bauhaus.

The below artworks are the most important in Bauhaus - that both overview the major ideas of the movement, and highlight the greatest achievements by each artist in Bauhaus. Don't forget to visit the artist overview pages of the artists that interest you. In this canvas from , delicate, translucent geometric shapes - squares, rectangles and domes - are picked out in gradations of primary color.

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A single red circle floats in the upper center, revealing itself, on inspection, to be the titular hot-air balloon. This illustrative flourish exemplifies Klee's whimsical, associative use of the geometric compositional arrangements for which the Bauhaus became famous. In the artist's unique idiom, emphasis shifts restlessly between the abstract and the figurative, between narrative association and esoteric symbolism. The glowing shapes, reminiscent of stained glass, are placed asymmetrically to create a visual rhythm, conducted by vertical, horizontal, and diagonal lines, that seems both ordered and spontaneous.

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Born in Switzerland in , Klee had been associated with various Expressionist and modernist groupings in Northern Europe during the s and s, including Der Blaue Reiter group, before taking up a post at the Bauhaus in , teaching mural painting, stained glass, bookbinding, and various other subjects. Famously beginning with the line "[a]n active line on a walk, moving freely, without goal," this work became hugely influential, establishing, as the critic Mark Hudson puts it, "[Klee's] reputation as one of the great theorists of modern art This metaphor for the germination of compositional form became a fundamental tenet of Bauhaus design philosophy, influencing many of Klee's contemporaries, including Anni Albers and Klee's lifelong friend Wassily Kandinsky.

Klee's presence at the Bauhaus from until his resignation in gives the lie to stereotypes of the institution as overly preoccupied with rationality and dry, formal methods. As Clement Greenburg wrote in , "[a]lmost everybody, whether aware or not, was learning from Klee. Oil on chalk-primed gauze, mounted on board, - Solomon R.

Guggenheim Museum, New York. Artist: Wassily Kandinsky.

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These in turn form two overall zones of visual attention, one on the right-hand side of the canvas, formed from the interlocking red cross and blue circle, and one around the yellow rectangle to the left, embossed against a deeper shade of ochre. Variance in visual weight and positioning in space is implied by effects of color and shading, as the buoyancy of the yellow contrasts with the darker red tones, deepening further into purple and blue. A meshwork of straight and curvilinear interact across the canvas, as if playing out the battle of energies established between the different primary colors.

Wassily Kandinsky was born in Moscow in , and had settled in Germany before the close of the 19 th century, becoming a key figure in the development of Northern-European Expressionism over the following years; his painting Der Blaue Reiter was the inspiration for the Expressionist art group of that name.

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Following a six-year spell in Soviet Russia bookending the revolution , Kandinsky returned to Germany and began teaching at the Bauhaus in , by which time his work had moved towards a purer form of abstraction. As a tutor on the preliminary course, he introduced his students to the analysis of primary colors and the nature of their interaction. In , hoping to establish an underlying qualitative relationship between particular shapes and colors, he developed a questionnaire in which participants were asked to fill in a triangle, square, and circle the most appropriate primary color.

The resulting yellow triangle, red square, and blue circle became a classic Bauhaus motif, one which Kandinsky explored and subverted in this famous work, transforming it into a lyrical evocation of the relationship between visual and musical expression. The same ideas informed his famous text Point and Line to Plane influenced by new research on Gestalt psychology, a key discussion-topic at the Bauhaus at this time.

Kandinsky was interested in how certain combinations of color, line and tone might have innate spiritual and psychological effects, which were in turn connected to certain musical motifs. As the art historian Annagret Hoberg notes, however, the connotations of this painting extend beyond this, taking in more figurative realms: "[the] two centers While in the yellow field one might see a human profile due to the structure of the lines and circles, the intertwining of red and blue form with the black diagonal is reminiscent of the theme of the battle between Saint George and the dragon" It is perhaps these more human associations which explain the iconic status of Kandinsky's abstract paintings in modern art history: as Hoberg notes, Yellow-Red-Blue "exerted an influence on later modernism, including, for example, Barnett Newman's series Who's Afraid of Yellow, Red and Blue The artist himself described the chair as "my most extreme work.

Lightweight, easily moved, and easily mass-produced, it met all the requirements of the school's design philosophy, its components arranged with a clarity that made its structure and purpose immediately legible. Born in Hungary in , Breuer was amongst the youngest members of the original Bauhaus generation. Singled out as a prodigy, he was placed in charge of the woodwork shop, and after a sojourn in Paris returned to the Bauhaus as a teacher in A committed cyclist, Breuer saw the bicycle as the paragon of modern design, and was fascinated by his bicycle's curved handlebars, made of a new kind of tubular steel developed by the Mannesmann manufacturing company.

He realized that the same material, which could be bent without breaking, might be used in furniture design: the 'club chair' is in part the result of this moment of inspiration. The colloquial name for the chair honors the painter Wassily Kandinsky, who admired the piece when he first saw it in Breuer's studio.

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As the art historian Seamus Payne notes, Breur's was "the first ever chair to feature a bent-steel frame Content compiled and written by Larissa Borteh. Updated and modified regularly. By using our site, you agree to our terms , and usage of cookies. GOT IT! The Art Story. Movements, Styles, and Tendencies Bauhaus.

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Started: Ended: Along with Ludwig Mies van der Rohe and Le Corbusier, he is regarded as one of the pioneers of modern architecture. More Top Artists. He painted in an original style reminiscent of Cubism and Futurism, but he is most famous for helping Walter Gropius build the Bauhaus school where Feininger taught until the school was closed down by the Nazis. The origins of the Bauhaus lie in the late 19 th century, in anxieties about the soullessness of modern manufacturing, and fears about art's loss of social relevance.